Wednesday, November 14, 2012

The Top Twenty Greatest Singers Of All Time


A good singer is one of the most crucial ingredients in making good music.  A good singer and a well written song have proven to be an unbeatable combination, but what really makes a good singer?  Well, I think everyone has a different answer to that question, but for me, there are a few ingredients that must be present.

In my opinion, the first quality is that a good singer must have more to offer than just the ability to carry a tune.  That is a good start, of course, but I also think that they must be able to convey emotion in their singing.  They must be able to interpret and deliver a lyric in a unique way that moves people.  It should be obvious that the song has a deep meaning to them when they sing it.  I have to confess that without these emotional elements being present, the mere ability to hit the correct pitch is unimpressive to me.  I would much prefer a singer who is passionate about what he or she sings.  Even if their vocal skill is a little rough around the edges, that is still better to me than someone who is technically perfect, but delivers the song in a flat and lifeless way that is devoid of any feeling.

Also, I think it helps if their voice or some element of their delivery has a unique quality that sets them apart from all other singers.  These unique qualities are often difficult to describe or define, but when they are present, they can create sheer magic.  I am happy to have the chance to tell you about some of the singers that I feel meet these standards.  So without further adieu, here is my list of the greatest singers of all time.  I hope you agree with the choices.

Steve Perry – As the vocalist for the group Journey from 1978-1996, Steve's soaring vocal lines were some of the most beautifully crafted and heartfelt melodies ever put to vinyl.  Steve is one of the few singers with the rare ability to truly use his voice as an instrument.  His vocals went beyond merely adding words on top of the music.  He truly added magic to their songs with his vocal melodies.

Doug Pinnick – Doug is the vocalist and bass player for the heavy metal group King's X.  Very few vocalists have ever pulled me in the way Doug has.  With the soulful quality of an old-school gospel singer, he pours every fiber of his being into each note.  Although his singing style may seem mismatched for heavy metal, it is indeed the perfect complement to this band's uniquely melodic style.

Paul Stanley – Because of their image, the quality of KISS' music has often been unfairly overlooked.  Paul's vocals are, in my opinion some of the best around.  Not only can he sing well, but he makes every note exciting and fresh, even in songs that he has been performing for over 30 years.  He also has proven his vocal prowess by performing in musical theater.  One listen to his performance in “Phantom Of The Opera” is enough to convince even the most staunch skeptic that this man is a great singer!

Jeff Keith – With a vocal style that is steeped in passion, and a distinctive rasp that is instantly recognizable, Jeff led Tesla to fame as one of the most respected and musically skilled bands of the so-called “hair metal” crowd.  His moving vocals, delivered with a warm, down-to-earth ease, gave his songs an emotional depth that few other bands of the genre could deliver.  This remained true even when he was singing up tempo rock!

Sam Cooke – There is really not much that I could say about Sam that hasn't already been said.  I mean, just listen to him!  His vocal acrobatics are astounding, and flawlessly delivered.  Just play “Bring It On Home To Me” once!  If you aren't hooked, you have no heart!

Josh Groban – Josh is simply amazing.  The warmth of his wonderful, rich baritone feels like a soft blanket on a cold December day.  Possessing a vocal maturity that is extremely rare for performers of any age, his ability to sing so perfectly in any language that he chooses is nothing short of mind-boggling!

Stevie Nicks - Whether performing with Fleetwood Mac or as a solo artist, Stevie is truly one of a kind.  I think Stevie's strongest asset as a singer is her ability to mold her voice any way she wants to.  It makes here an ideal harmony singer, because she can complement any singer that she sings with.  Her unique voice has a very haunting quality about it that is perfectly suited to the mystical, ethereal themes expressed in her lyrics

Chris Robinson – Chris is the perfect blend of old-school soul, gospel, and blues.  His style effortlessly propels The Black Crowes southern rock sound to greatness.  I love the simplicity of his singing.  His vocals are real and honest; they don't pretend to be anything they're not.  They demand to be loved just as they are...warts and all!

Marvin Gaye – The king of the begging love song, this legend's legacy will always remain untouchable by any mere mortal.  No one had it like Marvelous Marvin; he was the very definition of soul!

Elvis Presley – They didn't call him the king for nothing!  Perhaps the best known and most beloved rock & roll singer of all time, Elvis was a true original in every sense of the word.  His smooth voice and passionate performances were like no other.  He truly does stand in a class by himself.

Tina Turner – Raw, gritty, and unstoppable.  The only way I can describe her is to borrow one of her song titles...Simply The Best!

Aretha Franklin – A first class diva in every sense of the word, Aretha is truly worthy of the title “Queen Of Soul.”  All you have to do is listen to the conviction in her voice as she demands your R-E-S-P-E-C-T, and you will agree that there is no one else like her!

Patsy Cline – A smooth tuneful voice, impeccable phrasing, and the ability to express profound emotion in a way that no one else could, the sheer elegance of Patsy's voice was completely intoxicating!

Pat Benatar – You wouldn't think that someone with Pat's background would even consider singing rock, but rock she did.  Although she was classically trained as an opera singer and had a seven octave vocal range, Pat not only pumped out one rock hit after the next for over twenty years, she also managed to kick down many doors for women in rock along the way!

Melissa Etheridge – One listen to her music and you will be blown away!  Gutsy and immediate, Melissa expresses things in her songs that we can all relate to.  I think we have yet to see the best that she has to offer!

Aaron Neville – His voice is one that gives me goosebumps.  It is completely unique and haunting in a heavenly sort of way.  When he sings a song, it becomes his totally.

Luther Vandross – Another one known for his astounding vocal acrobatics, Luther could easily move his mostly female audiences into a frenzy!  His recent loss was a true tragedy to the music world!

Rob Thomas – Best known as the singer for the group Matchbox Twenty, Rob's one-of-a-kind vocal style, along with his considerable songwriting skills make him a musical force to be reckoned with.  It will be very interesting to follow his artistic path, I think.  In my opinion, we still have several years of great music yet to come from Mr. Thomas!

Etta James – Totally timeless.  After years in the music industry, she can still belt them out like nobody's business!

Rockapella – This is the one exception on my list, in that they are a group instead of a single vocalist.  I felt they were worth including here, however, since their music is entirely dependent on vocals.  They are an a Capella vocal group, and oh my God, do they smoke!  Their voices weave to create the most jaw-dropping and technically perfect harmonies I have ever heard in my life; deep emotion permeates every note!  I highly recommend them if you have never heard them.

Well, there you have them, my favorites.  I hope you all enjoyed reading about them as much as I enjoyed sharing them with you!  Happy listening!

Musical Genres: Music Of The 1970's


Being the huge music lover that I am, I have always embraced a wide variety of styles from every time period.  I was born in 1970, and although I was just a kid making his way through the single-digit ages, I really enjoyed many artists that were popular during that first decade of my life.

I was exposed to many of these artists by several of my cousins, who were teenagers at that time.  I had two different sets of cousins on my mother's side of the family who often served as my babysitters, and they always had their FM radios blaring.  Between one set of cousins or the other, I was privileged to receive a full education in Seventies rock!  I developed a great love for the music of groups like ELO, Fleetwood Mac, Styx, Foreigner, Foghat, Journey, REO Speedwagon, Led Zeppelin, and a nearly endless list of others.

Now, whenever I hear any one of these artists, I remember fondly those days of being watched by my older cousins.  They were truly great babysitters.  When they sat with me, they always made me feel like they enjoyed looking after me, and really wanted me around.  They took me with them whenever they visited friends, and even their friends would let me join in whatever they were doing.  Since I had trouble walking sometimes due to my disability, they used to pull me around in my little red wagon.

They would take me to the park and push me on the swing, or let me play Frisbee with them.  Then, their were other times when everyone would just hang out in their basement, shooting pool on their pool table.  Every once in a while, if I was lucky they would give me rides on the back of their motorcycles.  That was so much fun for me, and has given me a love of motorcycles that has stayed with me to this day.  I remember as a small skinny six-year-old feeling so important and grown-up on the back of those bikes!  And throughout all of this activity, the music of the aforementioned artists was always present.

I have so many memories from that time, but there is one in particular that stands out in my mind.  Once when my cousin Kevin was babysitting me, he was entertaining me by doing "air guitar" to his Led Zeppelin records using a pool cue as his "guitar."  He kept posing and making funny faces while I clapped and laughed gleefully.  Then later, when lunch time came, he put me up on his shoulders, and carried me a few blocks down the street to buy me a burger and fries.

Sadly, this was one of the last times that I spent with him. Unfortunately, he and his younger sister Lori were killed in a car crash in March of 1977; he was eighteen and she was seventeen.  I was seven at the time.  I can still remember spending that day with Kevin vividly, however.  And every time I hear a Led Zeppelin song, I can see Kevin and his pool cue!

Thanks for the wonderful memories, cousin!  Rest In Peace!

Musical Genres: Hair Metal Bands Of The Eighties


Call me crazy, but I completely love the hair bands of the eighties!  I realize that I may be dating myself a bit by admitting it, but this has to be my favorite music of all time.  I grew up with many of the great rock bands from this era, such as: Dokken, Tesla, Motley Crue, Cinderella, and a host of others.  I still listen to all of these great bands, and I continue to see them in concert whenever they are in my area!  To date, I have attended more than 300 concerts and counting.

There are so many reasons why I love this music.  First is the fact that most of the vocalists actually sang, and you could understand the words.  This cannot be said of today's heavy metal bands, whom I like to refer to as "the cookie monster bands."  One listen to any of these bands will prove that to be an accurate description.  Secondly, even though many parents at that time objected to the lyrical content of these bands, the lyrical content of today's artists makes those offenses seem tame by comparison.

Also, being a guitar player myself, I can appreciate this music because it does take a much greater level of technical skill to play it than it does to play today's metal.  This is most clearly evident in the lack of guitar solos.  Once a staple of the heavy metal form, the guitar solo has all but completely vanished from most rock today.  Consider the work of many of the amazing players from from the Eighties, like Yngwie Malmsteen, Joe Satriani, Steve Vai, or Eric Johnson, just to name a few.  The talent of men like these is monumental; in my humble opinion, the staggering level of musicianship to be found in the recordings of these artists easily surpasses anything that today's guitar players have to offer by an extremely wide margin.

They say that guitar solos have become passe; they say that they want to do other, more "creative" things.  Well, you will have to forgive me, but that argument simply won't wash with me!  Music is just like life; you get back exactly what you put into it.  And in my language, that excuse translates into only one statement: "I'm too lazy to put in the practice that it really takes to learn my instrument!"

When I listen to music, I like for the songs to make me feel something; the music of the Eighties does this.  They sang about having fun and enjoying life.  They sang about keeping hope alive when you were down.  The music had this amazing, electric energy, and a spirit of eternal youth!  When I listen to the music of most metal bands today, all I feel is depressed.  There is so much hatred and rage, so many morbid depictions of death.

I used to be an avid CD collector, and I would readily try any new band that came along.  Unfortunately, I have been let down by so many bands in recent years that I have ear-marked what little money I have in my CD budget for buying only the new releases by old bands.

Does "The Gay Agenda" Really Exist?


The term "gay agenda" first came into widespread use in 1992.  It is a phrase that continues to be used by certain anti-gay religious groups who oppose the gay lifestyle, and who feel threatened by the fact that so many gay people are demanding their equal rights under the law.  They seem to feel that so-called normalization of the gay lifestyle would only come at the expense of heterosexuals.  What sort of convoluted logic they used to arrive at that monumentally ridiculous conclusion is anyone's guess, but many believe it nonetheless.

We've all heard them spouting their malicious rhetoric that us gay folks are a threat to the sanctity of family and marriage, but when you really get down to brass tacks, all of this is clearly nothing more than a scare tactic.  The term was invented, and has consistently been used as a propaganda ploy to convince everyone that gay people have some sort of “hidden agenda” and are deviously plotting to infiltrate the ranks of what they consider to be "moral" society.  It always amazes and saddens me that there are so many who really believe this garbage.  Anyone who has had any sort of exposure to the gay community, whether they are gay themselves or know someone who is, can attest to the complete and utter absurdity of such claims.

The irony in all of this is that when the term first entered the public vocabulary, there was no such thing as a "gay agenda."  In reality, the anti-gay religious groups who coined the phrase shot themselves in the foot by doing so.  Their belief that a "gay agenda" did exist brought more attention to gay issues and the plight of gay individuals; all they really did was help to bolster the gay rights movement.  In many ways, their anti-gay campaign actually resulted in the complete opposite of its intended effect; it had an almost renewing effect for those who were involved in the fight for gay equality, motivating them to work even more diligently.

Thanks to the exposure that the gay rights movement received as a result, the gay community did develop an "agenda" of sorts, but the true meaning behind it was actually far less sinister than the term itself implies.  The only intention of the so-called "gay agenda" has always been to achieve fair and equal treatment under the law for LGBT persons.  We have never wanted to be given "special" rights as many of these groups have alleged.  We have simply been asking for equal access to the same liberties that others in society already enjoy.

Some of the social changes pursued by the gay community include the right to marry whomever we choose and have that marriage legally recognized, the right to adopt and raise children, the right to hold a job based solely on our qualifications for that job, and the right to serve openly in the military without fear of harassment or violence.  In all of these situations, a person's sexuality has no bearing on his or her abilities to succeed, and should therefore not become an issue which excludes them from the opportunity to do so.

Over a period of several years, gay rights organizations have made progress toward realizing those goals.  The progress has been slow, of course, but that is to be expected.  Every major shift in societal thinking is always hard-won, and often takes years to achieve.  However, the fact that this progress has come in small steps does not lessen its significance.  Gay marriage has now become legal in several states, and more are expected to follow soon. Since this article was originally written, the “Don't Ask, Don't tell policy instituted by the military has been repealed, allowing open service by gay and lesbian individuals.  Adoption has also passed in a handful of states, but is still blocked by most.  But in spite of all this, many of the basic rights that most enjoy have continued to be denied to or revoked from those of us who are gay.

Unfortunately, with each step taken toward the realization of equality, those who oppose the gay lifestyle have collectively become more and more disgruntled.  Realizing that their original statements about the so-called "gay agenda" hold no validity, they began to back-peddle, quickly redefining what they consider to be the threat posed by this mythical "agenda."  Among other things, they make the outrageous claim that the only reason that we want to secure the full benefits of legal marriage is so that we can use the marriage tax credit to support organizations that will destroy heterosexuality, and that once we achieve this, we will divorce one another for the sole purpose of mocking the sanctity of the institution of marriage.  And as unfortunate as it sounds, the lies do not stop there.  They have made a whole list of other equally insulting claims, which are so utterly ludicrous that they do not even deserve to be dignified with a response!

Luckily, the majority of sane, rational people do not believe any of this to be true.  Most can easily see this nonsense for exactly what it is: a completely unwarranted and malicious attempt to smear the character of a community of kind people which only wants to be treated with the same dignity and respect that every human being is entitled to, and be left to live their lives in peace!

That's Not What MY Bible Says


I usually don't advocate censorship in any form, nor do I see very much that I find offensive enough to raise a fuss about.  In fact, I am often amused by those who are so offended by something on the Internet that they are motivated to loudly demand its removal.  Most of the time when I view something that has been considered offensive, I have to confess that I usually can't figure out what the big deal is.  And believe me, if you knew who was writing this, that statement would carry a lot of weight.  I am a person who has very definite and passionate opinions about what is or is not offensive!

For the most part, I tend to avoid these kind of debates because I feel it is a waste of time and breath to argue with idiots who refuse to listen to reason no matter how much evidence you can produce to show them they are wrong.  But that has all changed for me now.  I was online recently, just innocently browsing through You Tube, when I came across a video that stopped me in my tracks.  It was a music video for a song called The Bible Says, By Donnie Davies.  (See Video Below). Sounds harmless enough, right?  I mean, what's the worst that you could hear in this song?  Surely no more than a few over-zealous rantings from another religious nut case, which are easy to ignore and certainly nothing new to most of us.

So, just for kicks, I decided to watch it for myself.  It turned out to be a song (or a parody of a song) denouncing homosexuals and homosexuality, in which the lyrics state that "God Hates Fags."  Of course, this kind of offensive, hateful garbage is nothing new to us gay folks; we have been hearing it for so long that we've pretty much learned to tune it out and chalk it up to ignorance.  I don't usually get offended by the use of insulting words; after all, they are only words.  Unless they are clearly and deliberately hateful as this was.

Before I get into my personal commentary on this particular video, I have to say that I read several of the user comments accompanying it.  Most of them said that it was meant as a joke, and should not be taken seriously.  But there were also a great many others who found it extremely offensive.  After checking out the website for his organization, which he calls Love God's Way, I definitely fall into the latter category.  The site states that Davies is a reformed ex-gay that has been healed of his homosexual desires, and that he is now on a mission to save everyone from these deviant sexual behaviors.  To me, devoting an entire website to this kind of hatred is no joke; if it was meant to be one, the joke has been carried too far.

As far I'm concerned, whether this was serious or meant as a joke is irrelevant.  Either way, it is in extremely poor taste and I am not amused!  I have to say that the word offended doesn't even begin to cover my reaction!  This is one of the most appalling things that I have ever had the misfortune to witness.  As a gay man who considers himself a Christian, this absolutely sickens me!  It is nothing more than a blatant misuse and abuse of God's word.

This kind of nonsense is the exact reason that I don't put any stock in organized religion.  I simply refuse to tolerate the outrageous level of hypocrisy present in most churches.  Not even to mention the verbal and emotional abuse that many gay people like me are likely to suffer at the hands of people who claim to be loving, God fearing Christians.  I have just seen so much un-Godly activity going on in so many of the churches that I have been to, that my attitude toward organized religion has been irreversibly soured.

Two things: first of all, God does not hate, He loves!  To associate His name with any form of hatred is the height of blasphemy!  God is never the cause of pain or hate.  He heals and restores, and He has commanded us to love one another and not be judgmental. And please notice that I used the word commanded, not the word requested!  This is obviously something this "devoted Christian" has forgotten...if he ever knew it in the first place, that is.  Secondly, I happen to believe that this kind of Spiritual bullying is not acceptable and should never be tolerated under any circumstances.  Everyone should be welcomed to enter God's house without fear of being judged, and without being made to feel uncomfortable.  In my eyes, there is absolutely no justification for excluding any group of people from having the freedom to worship as they choose.

To conclude, it is painfully clear to me that this poor soul wouldn't know God if Jesus himself walked up in human form and slapped him across the face!  If he did, he would realize that The Lord weeps for him in his blindness and ignorance!  I hope he receives mercy on judgment day...he is definitely going to need it!


Tuesday, November 13, 2012

CD Review: Welcome 2 My Nightmare



On September 13, 2011, rock's most notorious villain returned to take us on another frightful trip into his twisted nightmares!  That's right, I'm referring to the one and only Alice Cooper.  His latest musical offering is a sequel to his classic 1975 album, "Welcome To My Nightmare."  Just like it's namesake, the sequel, Welcome 2 My Nightmare is a vintage 70's-sounding Alice Cooper album.  It even includes many of the cast members that helped to create the original...most notably, producer Bob Ezrin, as well as three members of the original Alice Cooper band: guitarist Micheal Bruce, bassist Dennis Dunaway, and drummer Neal Smith.

With that many things going for it, any fan of the original Alice Cooper band would assume that they couldn't go wrong...not so!  For me, this album was decent, and it did have some good moments on it, but as a whole, it really wasn't as strong as it could have been.  It is fun and there is much of Alice's trademark humor in the tunes, but I definitely would not count this one among his best work.  For all of it's good points, there are an equal number of flaws.  First, the album really lacks the darker, horror-tinged side of the Alice character; fans of his classic work want that sense of menace that he does so well...it's part of the fun, because he balances it perfectly with his humor.  As I said, the humor is there, but the menace is not!

Another bad point is that this one is all over the map in terms of musical styles, which makes for a very inconsistent experience melodically.  Don't get me wrong, differing musical styles are not a bad thing, but the artist has to take great care to ensure that the transition between styles happens smoothly and logically.  The changes should make some kind of sense.  In this case, they really don't.  The styles are so different from song to song that the album feels like a bunch of quirky musical oddities stuck side by side without any kind of rhyme or reason.  There is nothing to tie everything together and make the album as a whole into a cohesive listening experience.  This is very detrimental when you consider that this is a concept album with a story to follow.

As for the songs themselves, the quality is about fifty-fifty.  Several of the songs here are really good, but unfortunately, there are also several tracks that go so far out into left field that they just leave you scratching your head in confusion!  The tracks that stood out to me include: Caffeine, The Congregation, and When Hell Comes Home.  I also enjoyed the album's first single and video, I'll Bite Your Face Off.  But to be honest, none of the other tracks really grabbed me.

The bottom line: this album is entertaining and fun, with several great moments.  The songs are decent, but overall, it is not Alice's best work.  I would give it about three-and-a-half out of five stars!

Saturday, November 10, 2012

Remembering September 11, 2001

No one could have foreseen the events that would take place on the morning of September 11, 2001.  For most of us, myself included, that day started out the same as any other normal Tuesday morning.  People left home and fought horrendous traffic to get to their jobs on time.  Parents made sure that their kids got to school on time.  Everything seemed just as it always was...just another day of the same old dull routine.  Little did we know that in a few short hours, we were about to discover just how horribly wrong those assumptions were.

I remember that I had stayed up quite late the night before, so I didn't wake up until late in the afternoon.  So unfortunately...or maybe fortunately, depending on your point of view...I slept through the whole thing!  When I finally woke up, still not knowing that anything had even happened, I dragged myself out of bed and went to take my blood pressure medication.  Then, after taking a few moments to shake off the sleep, I went to call my mother at work.  She was the one who told me about the horrible and vicious attack that had taken place that morning.

I was utterly stunned!  In fact, I did not believe her at first.  I thought that it was some kind of a bad joke, and I was waiting for the punch line.  Only the punch line never came.  Instead, she kept insisting to me that it was no joke.  To be perfectly honest, I don't really remember exactly what I felt at the precise moment that she told me.  I was too numb with shock and disbelief to feel anything at all.  I think my emotions just completely turned off.

After my mother and I finished our telephone conversation, I hung up the phone and immediately ran to turn on CNN.  Then I sat there silently in front of the television as the anchorman confirmed that what my mother had said was true.  Indeed, two planes had crashed into the twin towers of the World Trade Center, completely demolishing the buildings.  And a third plane had destroyed an entire wing of the pentagon.  The Pentagon!  The very center of our military!  In addition, we later learned that there had been a fourth plane, and that The White House had been the intended target of this plane.  However, thanks to the heroic efforts of it's doomed passengers, who tried to overpower the hijackers, the plane missed it's intended target and crashed somewhere in the woods of Pennsylvania.

Slowly, over the next few hours, the horrific reality that this had really happened began to penetrate my fog of disbelief.  This unspeakable atrocity had actually taken place!  And as if that fact alone weren't bad enough, it had happened right here in my own country...in my homeland!

For all the rest of that day, and late into the night, I remained glued to my television set.  As a matter of fact, I remained glued there for the next several days as well.  I can't explain why, but I was absolutely riveted.  As morbid as it sounds, I would sit watching news reports until I was so exhausted that I couldn't see anymore.  And at the end of each day, I literally had to force myself to go to bed.  I almost felt as if my very life itself depended upon hearing every horrid detail of this tragic happening.  As time went on, the anchor people changed, but the story was the same: America was in mourning.  And through it all, I watched.  Over and over again, I saw the images of those planes crashing into those buildings.  I watched as they showed the explosions, the shattering glass, the flying debris, and even the smoke blackened sky.  They were all shown in graphic detail, and from every conceivable angle, and I watched.

I saw terrified people...people who knew that they were going to die...throwing themselves off the upper floors in a desperate effort to avoid the flames.  This is hard to understand, but I guess the human mind does funny things when it knows that death is coming.  I am guessing that this was their way of trying to gain some small measure of control over a hopeless situation.  I guess that they must have figured that if they had to die anyway, then at least they were going to decide how it happened; so they jumped rather than sit there waiting to burn to death.  I think I would have made the same choice.  When an even more gruesome fate is inevitable, that somehow seems more humane...even if only by inches.  Of course, all of these assumptions are merely speculation on my part, but this is the only way that my mind can make any semblance of sense out of any of this.  But at any rate, those images are now permanently seared into my psyche.  I will carry them with me to the grave.  I cannot even begin to imagine the unbelievable gut-wrenching terror that those poor souls must have known.  I pray that I will never have to experience such terror in my life.

And along with the sights, there were the sounds.  First, came the earth-shaking explosions that spelled certain doom for the thousands of people in and around those buildings.  Next came the sound of shattering glass.  And then there were the horrified screams of the onlookers in the street below.  And you could hear the heavy, clunking footsteps of those who tried to run for cover, but were unsure where to find it.  Finally, there was the droning chaotic wail of sirens as the police and rescue workers fought their way into the middle of that inferno in a desperate attempt so salvage some small amount of life from the carnage.

As silly as this may sound, as I sat there watching those appalling images, I remember the first words out of my mouth when I saw those planes hit the World Trade Center buildings were these: "Oh my God, it has hit the fan now!"  Then, immediately following that, I thought to myself, "I don't know who the poor imbecile was that did this, but whoever he is, he just made his last mistake!"

Finally, by the wee hours of the next morning, the grim reality had completely sunken in.  As the news coverage went on, my feelings of disbelief gave way to a confusing rush of every possible emotion.  It was almost as if my spirit did not know quite what to feel.  There were so many different emotions to choose from, and all of them were equally strong.  For quite some time, I was just completely overwhelmed.  I had no idea how to even begin to understand the feelings that I was experiencing.  But slowly, as the many emotions began to surface, I attempted to deal with each one of them individually.

First, there was the complete disbelief.  My brain simply could not fathom the enormity of what had happened.  I could not understand how something so unspeakably awful could happen in this country.  After all, this is supposed to be the safest country in the world, right?  Well, that statement had just been proven false in the worst possible way!

Then the fear came.  If it happened once, it could happen again.  And if it did, where and when would these monsters strike again?  And how many more innocent souls will lose there lives when they did strike again?  Also, there was the fear of going to war.  After any such attack, a sane and rational person would have automatically assumed that a war was eminent.  I knew that there was no way our country would ever tolerate such a calculated act of brutality.  Then I asked myself this question: If there was a war, would we survive it?  And if we did, how would it affect our lives?  How would our lives change...not only while the war was being fought, but what would the long-term effect be?  How would it change the future of our country?

Never in my life have I ever been so full of questions that appeared to have no answers.  And I have to be honest with you here.  The uncertainty of all of this filled me with an awful sense of dread.  I really cannot even describe it.  It is one of those feelings that you have to experience to be able to understand it.  I felt helpless.  I didn't know what to do, or how to prepare myself for whatever might be coming.  There is, after all, no way to prepare for the unknown.

And later, as the days went by and I watched the continuing coverage, I gradually became more and more angry.  Those wretched, evil men!  How dare they!  I could not believe the gall of those people!  They had the colossal nerve to come into our country and try to use the skills that we had taught them against us!  And, to make matters even worse, they claim to have committed this horrendous act in the name of religion!  News flash, guys; my Bible says that there is only one entity that teaches his followers to kill and destroy; need I say more?

No, this atrocity certainly cannot justified by claiming to have done it in the name of God; Nor could it be blamed on Him!  He did not cause this to happen.  I can say with heartfelt certainty that He was sickened and saddened by these events.  However, God allows each of us to have free will.  This means that we all have the power to choose whether we will do good or evil, and God cannot be blamed if one of His children makes a choice to do the wrong thing of his or her own free will.

So why didn't God prevent this, you ask?  Again, it has to do with the issue of free will.  When God gave us free will, He also promised that He would not interfere with the exercise of that free will in any way; and being a man of His word, He will not break that promise.  Therefore, because these events were set in motion as a result of someone's use of free will, God could not stop it because in order to do so, he would have been forced to break that promise.  At least, that's the way I see it.

To those of you that do not wish to accept that explanation, I can only say that He must have had some reason for allowing it to happen, and even though we may not understand what that reason is, it isn't for us to question.  At moments like these, we simply must have enough faith to trust that He's God, and He knows what He's doing.  Sometimes, it is not our place to understand such things.

Anyway, I continued to watch the news coverage, and the longer that I watched, the more my suspicions were confirmed.  This was not the work of men, but of demons.  These men were possessed by demons; demons whose sole purpose was to destroy anything and everything in their path, which they did without a shred of remorse.  Being a Christian, I cannot condemn them, in spite of the hatred that I have for their actions.  I can only pray that The Lord will have mercy upon every one of those miserable excuses for humanity, and trust that He will render upon them a judgment that is just in His eyes.  For He, in His infinite wisdom, is a much more qualified judge of what is just than I could ever hope to be.

The last and most powerful feeling that I carried through those days was an absolutely overwhelming sense of sorrow.  Sorrow not only for the victims and their loved ones, but indeed, for an entire nation that was so cruelly robbed of it's innocence.  For me, this was the one emotion that I tried my hardest to suppress, because I knew that if I allowed myself to freely feel it, it would have completely consumed me.  It would have swept me away like an ocean tide.  I would have drowned in it.

But then, something happened that I did not expect.  Right in the midst of my trying to deal with all of these powerful feelings, the news coverage shifted its focus.  They began to show the friends and families of the victims, openly weeping as they desperately searched for any information that could be given about their lost loved ones.  All of them were praying fervently, hoping against hope that their loved ones may be found alive, and be able to come home to them.  My soul wept for those people.  And after seeing this heartbreak, my own personal feelings began to seem a bit petty and trivial.

I mean, let's get real here.  First of all, I was thousands of miles away from this devastation.  And secondly, I did not have to worry that any of my loved ones may not be coming home that night.  My life had not been disrupted or inconvenienced in any way whatsoever.  I would still be able to live the same blessed life that I had always led.  So all of a sudden, my own feelings of sorrow and anger did not seem quite as important as they once were, because I realized that these poor souls were the ones who would truly have to deal with the enormity of this tragedy.  And not only will they have to deal with it now, but it will affect them every single day for the rest of their lives.  My heart went out to them; I prayed for them daily, and I still do.

Over the ensuing days and weeks, the events leading up to this fiasco were slowly pieced together.  From the beginning, it had been suspected that a Saudi man named Osama Bin Laden was the mastermind who had hatched this diabolical plot.  According to the FBI, Bin Laden was a severe Muslim radical with a long history of terrorist activity.  And about two weeks into the investigation, the FBI confirmed that their suspicions were correct.  Bin Laden was indeed the man who was responsible for this heinous crime.

I don't know how the rest of America reacted to this news, but for me, it was a big help in my healing process.  You see, for me, uncertainty is the most horrible and difficult feeling of all to deal with.  Nothing feels worse to me than having to face an unknown enemy.  I was scared that we would always and forever be doomed to wonder who had done this awful thing, and why.  At least now, I...we...knew for sure who was responsible.  We had somebody to blame for our pain.

However, just at the moment when America should have been at its most angry and vengeful, something quite extraordinary happened.  We, as a nation, decided to put aside our anger.  We became determined to show this monster that his attempt to scare us into submission had failed.  We wanted him to see that it was going to take a lot more than this to break us.  We were determined to rise above the horror and the pain that he had tried to inflict upon us.

I have never before in my life seen such an unbelievably generous outpouring of kindness as the one that I have witnessed in the wake of this tragedy.  People lined up in droves, sometimes waiting for hours to give blood.  People opened up their homes to complete strangers who had been left homeless by the devastation.  People by the thousands flooded into the affected areas...which by this time were being referred to as "ground zero"...volunteering to help in any way that they could.  They were willing to do whatever was asked of them.  Acts of astonishing heroism on the part of firefighters and other rescue workers became a daily occurrence.  There was a unity among the people of this nation such as we had not seen since the Japanese attack on Pearl Harbor some sixty years earlier.  Suddenly, we were no longer divided by racial or religious barriers, or any other stupid prejudice.  Our differences were completely forgotten.  We were Americans willing to stand together and fight for the nation that we love.

All across the country, people were eager to show their patriotism.  We wanted all of the rescue workers and the other people who were working so hard trying to help us recover to know that the were not going through this horror alone.  Patriotic songs could be heard from everyplace, and every time the national anthem was played, whether at a sporting event or elsewhere, the roar of approval and support was deafening.  In every large city and small town in America, people were rushing out to buy and hang the American flag.  Buying so many of them, in fact, that the stores and manufacturers could not keep up with the demand.  Flags had to be back ordered.  Many people even flew the flag from their car windows as they drove down the street.  Some placed bumper stickers on their cars bearing a picture of the flag, along with the slogan "These Colors Don't Run."

As a matter of fact, this attack not only brought our nation together, but it unified many other nations around the world as well.  Many other nations offered to stand with The United States, and give whatever support they could.  In fact, when our leaders spoke to the United Nations to ask permission to respond to these attacks, members of the UN agreed unanimously that America should take whatever action it deemed necessary.  This was the first time in the entire history of that organization that a unanimous agreement between all the members had ever happened.

So you see, Mr. Bin Laden, we Americans do not scare so easily.  Your despicable attack has only served to unify us, and to strengthen our collective American spirit.  Your attempt to destroy us has been in vain.  You expected us to scamper away and hide...to submit.  Instead, we rose to the challenge, and we are still doing so.  And you, sir, are in for a very rude awakening; for when the people of this nation stand together as one, America is a force to be reckoned with.

Friday, November 9, 2012

Biography: Billy Idol


Billy Idol came to prominence in the early Eighties as one of the first singers to be made popular by the emergence of MTV.  Thanks to the image created by this new visual medium, he is perhaps best known for his spiky platinum-blond locks and fist-pounding sneer.  However, one listen to his songs will quickly prove that their is much more to the artistry of the man than these simple physical attributes would suggest.

In order to appreciate the musical contributions of any artist, you really need to start at the beginning, so you can see how their talents took shape.  With that in mind, let's take a trip back to November 30, 1955.  On that day, the man who would become Billy Idol was born as William Micheal Albert Broad, in Middlesex, England.  Billy's father moved the family to New York when he was two.  This was where young William first fell in love with rock & roll music. The Broad family's stay in The States was short-lived, however.  They returned to the UK just four years later.  As Billy got older, he developed a bit of a wild streak, which he insists that he inherited from his father.  Although he was very bright, academics were definitely not his strong suit.  School bored him.  This was mostly because he needed constant intellectual stimulation to remain interested, and he felt that he never got that in the classroom.  He did attend one year at Sussex University, but quickly lost interest and decided to move on, thus ending his formal education.

Billy knew that he wasn't cut out for the grind of a proper job, but by then, he had developed a great love of music, and was seriously considering the idea of pursuing it as a profession.  Unfortunately, his father was dead set against it, and they often fought bitterly over Billy's career choice.  Luckily for Billy's future fans, his father's objections fell upon deaf ears.  Although his initial motivation to follow his dream was simply to rebel against his father, his reasons slowly changed; eventually, he reached a point where he decided that he wanted to prove to his father that he could be a success, and that the career path he had chosen was not worthless after all.  The tactic worked.  Although they did not speak at all for a period of about two years, and things remained strained between them for quite a long time even after communications resumed, his father is now the first one to recognize Billy's accomplishments!

Billy began his musical journey in 1975, after meeting a few like-minded friends and forming a group called The Bromley Contingent.  They were heavily influenced by the punk rock movement of the time, especially The Sex Pistols.  Eventually, Billy began to dabble in writing his own songs with another member of the group, Susan Dallion, who would later become known as Siouxie Sioux, of Siouxie And The Banshees fame.  Unfortunately, the group drifted apart soon after, but Billy was not to be discouraged.  Realizing that he had decent songwriting capabilities, Billy decided to form his own group.  He hooked up with fellow musicians Tony James, Mick Jones (who would later form The Clash), Brian James (who went on to form The Damned), John Towe, and Gene October.  They decided to call the new group Chelsea, and Billy served as guitarist.  The band played live for the first time in 1976, but ran out of steam when Billy, Tony, and John decided to leave and form a new group.  Taking their name from a 1960s paperback, Generation X was born.

This time, Billy decided that he would make a better front man, and took his place as the group's singer.  The remainder of the group consisted of Tony on bass, John on drums, and Bob “Deerwood” Andrews on guitar.  The band played their first show in November of 1976, and quickly began to get noticed.  In a short time, they were picked up by Chrysalis records, and managed to crank out three albums before discord in the band's ranks and management problems signaled the band's demise.  By that point, it was clear that the punk movement in rapid decline.  Billy decided that the time was right to go solo.  He relocated to New York, and quickly caught the interest of then Kiss manager Bill Aucoin.  In 1981, Billy cut a demo containing a cover of Tommy James & The Shondells' hit “Mony Mony” and remixed versions of two Generation X tracks.  Although, he wasn't exactly thrilled with the results, he shopped it anyway, and landed a new solo deal with his former label, Chrysalis.

With label support firmly in place, Billy set about building a band.  He found his perfect writing partner in the form of guitarist Steve Stevens.  The two filled the remaining positions within the band, and completed Billy's first album in record time.  With great songs, and the massive explosion of the music videos for “White Wedding” and “Dancing With Myself” on MTV, the album took off, setting the stage for incredible success with Billy's sophomore album, “Rebel Yell.”  Released in 1984, the new album reached number 46 on the album chart, and produced the hits “Rebel Yell” and “Eyes Without A Face.”  With this new success, Billy began to indulge in the many of the excessive behaviors that accompany the rock & roll life, and was soon generating as much publicity for his offstage antics as he did for his music.

His next release, an eight track live compilation called “Vital Idol,” brought him another huge hit in '85 with the live version of “Mony Mony.”  Again, this success was owed to the wildly popular video, which MTV played heavily.  Just as the interest in “Mony Mony” began to wane, Billy released his fourth album, “Whiplash Smile,” in 1986.  Although the album sold well, and even earned Idol his second Grammy nomination, many felt that the new record had failed to live up to expectations.  But by this time, Billy had decided to try new things.  Since Steve Stevens had left the band to form his own group, Billy moved to Los Angeles, hired a completely new band, and accepted a role in a stage production of The Who's rock opera “Tommy.”

By 1990, however, he was ready to get back to music.  He was on the verge of releasing his fifth album, “Charmed Life,” When he was unexpectedly sidelined by a very serious motorcycle accident, in which he almost lost a leg.  The accident occurred when he failed to notice a stop sign, and was hit head on as he crossed an intersection on his Harley.  His doctor ordered him to bed for the next few months while his leg mended.  Naturally, these were orders which Billy failed to heed.  He continued to work, even though he was virtually paralyzed from the waist down.  Because of his condition, the video for the first single from “Charmed Life,” 1990's “Cradle Of Love,” only shows him from the waist up.  The album went on to become his forth consecutive disc to achieve platinum status.

With this success, Billy decided to take a break and try expanding his acting chops.  He made his screen debut in director Oliver Stone's 1991 biopic, “The Doors,” which also starred Meg Ryan, and Val Kilmer as Jim Morrison.  The film did fairly well, despite mixed reviews.  He also did a brief cameo as himself in Adam Sandler's 1998 flick, “The Wedding Singer.”  However, Billy had a few appearances before the camera that were far less entertaining...unless you are a gossip monger, that is.  In 1992, He plead guilty to assault after punching then companion Amber Nevel outside a Hollywood restaurant.  He was ordered to appear in a series of anti-drug commercials, and ended up paying more than $2,700 in fines.

Once the legal obligations were taken care of, Billy began work on his next album in 1993.  He had adopted both a new look and sound, trading in his platinum spikes for dreads, and his screeching guitars for synthesized techno beats.  He had hoped that this would move his career in new directions, but sadly, this was not to be.  The album, titled “Cyberpunk” when it was released, was a disastrous flop.  The kindest reviews that it received referred to it as a steaming, stinking pile of...(well, you get the idea!).

But as Billy had proven many times in the past, you can't keep him down for long.  In no time, he managed to get his career back on the upswing.  He teamed up with Steve Stevens once again, and in 2001, released a more extensive greatest hits package with a brilliant cover of the eighties classic “Don't You Forget About Me,” which had originally been done by Simple Minds.  Then in 2002, he gained more exposure from appearances on two popular VH-1 shows: Behind The Music, and Storytellers.

Finally, in 2005, he released his most current album, “Devil's Playground.”  Although the record was considered a commercial failure, it did allow Billy to tour extensively, earning him a whole new generation of fans.  He continues to perform today, always playing to packed houses.  While he has not released any new material in over 7 years, he does continue to write, and when asked about the future, he replies with a wink: “Never rule out anything as a possibility!”

Biography: Bea Arthur


By the time that she became known to millions of television viewers as Edith Bunker's sharp-tongued cousin Maude, Beatrice Arthur (May 13, 1922-April 25, 2009) was already a seasoned actress with a lengthy resume of theatrical credits.  Before that fateful appearance on All In The Family in 1971, where her clashes with Archie over differing political views were legendary, Arthur had been wowing audiences on and off Broadway for over twenty-five years in such productions as Fiddler On The Roof and Mame...and that's just to name a few!

Born with the name Bernice Frankel in New York, Arthur began acting lessons in the late 1940s, where her natural abilities in the field quickly won her small roles in off-Broadway productions.  Thanks to the exceptional quality of her performances, she soon began landing guest appearances on television as well.  She was a regular for one season on Sid Caesar's Caesar's Hour in 1954.  She also did a few film roles before finally coming to television on a regular basis in 1971.  But even with her huge success in television and film, the stage always remained her first love.  Arthur loved the stage so much in fact, that she initially refused the TV role which would eventually make her a household name.

Every time that she was approached by All In The Family producer Norman Lear about her now famous guest role, she put him off, saying that she had no interest in television work, and no desire to leave New York.  Finally, Lear caught up with her again when she visited her husband, Gene Saks, in Hollywood where he was directing the film The Last Of The Red Hot Lovers in 1971.  After much coaxing, Lear finally convinced her to do the part.  As it turned out, casting Arthur in the role was an absolutely inspired move.  Viewers and critics alike delighted in watching bigoted Archie Bunker trade barbs with liberal open-minded Maude.  The overwhelmingly favorable response of both the viewers and the network moved Lear to create a new series in which Maude Findlay was the central character.  Although the pilot for the new show was presented on All In The Family, Maude officially premiered as a series on September 12, 1972.

Like its parent show, Maude was never afraid to tackle controversial subject matter.  During it's six year run, the show covered topics like abortion, sexism, race-relations, and marijuana laws.  Despite, or perhaps because of the controversy it caused, the show remained in the top of the ratings for most of its run.  While on hiatus between the show's first and second seasons, Bea revisited her role as Vera Charles for the film version of Mame, which was directed by her husband and starred Lucille Ball in the title role.  Maude continued for five more seasons on CBS.  Bea's performance not only won her critical praise, it brought her one Emmy win, as well as numerous other nominations.  At the start of the show's sixth season, Bea announced that she would leave the show at the completion of that year.  Realizing that it could not continue without her, the show ended in 1978 while still at the height of its popularity.  

Following the end of Maude, Miss Arthur returned to Broadway until 1983 when she again attempted series television, starring in the very short-lived series Amanda's, which was based on the British comedy series Fawlty Towers.  After the show's failure, she was all set to take refuge on the stage when fate once again intervened.  Although she didn't know it at the time, lightning was about to strike twice!
In 1985, Bea got another television series.  She was set to co-star alongside Betty White, Estelle Getty, and Rue McClanahan in a show about four middle-aged women who share a house in Miami.  The Golden Girls hit the air in the fall of 1985 and was an instant smash!  Bea played the character of Dorothy Zbornak, a wise-cracking fifty-something divorcee, who worked as a substitute teacher.  The show continued for seven seasons, and each actress won an Emmy as well as several other awards for their work throughout the show's run!


Ironically, it was Bea who ended the show after its seventh season, just as she had done with Maude.  She walked away when the show was at the height of its popularity.  The producers then recruited Richard “Cheech” Marin into the cast, and the remaining actresses began The Golden Palace, in which Rose, Blanche, and Sophia decide to open a hotel, hiring Marin as a cook.  The new show flopped, however, and was canceled after only one year.

Following her departure from The Golden Girls in 1992, Arthur became something of a recluse, keeping a low profile until 2001, when she returned to the Broadway stage in a one-woman show titled And Then There's Bea.  She continued to perform in similar shows off and on from 2001 until finally closing her one-woman show for good in March of 2006.  After this, she once again went into semi-retirement, only recording audio and video pieces for DVD presentations and television biographies.  Sadly, Bea succumbed to cancer and passed away on April 25, 2009, at the age of 86.

CD Review: Music From Another Dimension, By Aerosmith



I just finished my first complete listen to the brand new Aerosmith release, called Music From Another Dimension.  Before I go too deeply into my thoughts on the album, I have to tell you right off the bat that if you have been a fan of the band since the beginning, or even just for a few years, then you will not find anything on this record that is unexpected or out of character for The Boston Bad Boys.  Dimension adds up to a little over an hour's worth of standard Aerosmith party rock, with several of their trademark ballads thrown in for good measure.

I have to confess that my first listen to this one left me with mixed feelings.  I think for me, that this is one of those albums that will have to grow on me in time.  There is some very good material here, and some of it even hearkens back to the classic Seventies Aerosmith, but my first impression is that there is also quite a bit of filler.  And as has been the case with the Aerosmith albums of the recent past, the band is once again guilty of ballad overkill.  One in particular, a duet with Carrie Underwood called Can't Stop Loving You is especially vomit inducing!  To be fair and honest, they do have a way with a ballad, and I have enjoyed many of them, but there are just too many already!  You are supposed to be a rock band, guys!

There is some good news here, though.  Remember when I said that there was some good material?  Well, the songs that are good do a great deal to help make up for the album's other shortcomings.  The opening two tracks, LUV XXX, and Oh Yeah are both rocking numbers, as is the song Legendary Child.  Thus far, my favorite track on the record is a tune called Out Go The Lights, which really has the classic Aerosmith funky rock swagger!  Also on the good side, all of the individual performances are pretty strong for the most part, particularly Joe Perry's guitar work.

In the end, longtime fans will only find more of what the band is known for.  There isn't really anything new or different, but the album is still enjoyable.  I do think it could have been a lot stronger if they had "trimmed some of the fat," so to speak.  Getting rid of a few songs, specifically a couple of the overly-abundant ballads, would have highlighted some of the stronger tunes, and perhaps made the album feel just a little less bloated.  The bottom line for this one is that it's a decent and mostly pleasant listen, but I don't think that it can be counted as one of Aerosmith's true killers!  I'd have to give it an average rating of about three-and-a-half stars.